My Body, de Sandralee Zinzen, Nicolas Nivesse
Selecção Ensaios – 2019/11/27 – 17:30
NOS Alma
N/A
A teenage girl is staring at herself in a mirror. She doesn’t like what she sees; fat, skinny, ugly, she looks like a monster. Maybe she should just take a step back and realize she’s not that monstrous.
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Flora, de Chaerin Im
Selecção Ensaios – 2019/11/27 – 17:30
NOS Alma
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Experimental animation about gender and sexuality, the awkwardness of division. Uncanny sculptures of vagina and penis are the main element.
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Inside Me, de Maria Trigo Teixeira
Selecção Ensaios – 2019/11/27 – 17:30
NOS Alma
Uma decisão clara rodeada de sentimentos contraditórios. Uma jovem mulher relata a sua experiência com o aborto.
A clear decision surrounded by mixed feelings. A young woman recounts her experience with abortion.
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Teus Braços, Minhas Ondas, de Débora Gonçalves
Selecção Ensaios – 2019/11/27 – 17:30
NOS Alma
Um casal, mulher e homem, unidos pelo amor, pelos anos e pelas lutas acontece a fragilidade e a
dificuldade económica. Não tendo o que mais dar ou fazer, cedem-se um ao outro, um pelo outro.
A couple, woman and man, united by the love, the years and the fights happens the fragility and the economic difficulty. Having nothing else to give or do, they give them selfs to each other, into each other.
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The Chef, de Hao Zheng
Selecção Ensaios – 2019/11/26 – 17:30
NOS Alma
N/A
In the near future, when all labor works are replaced by humanoids, a Chinese chef, Pu (60s) is ordered to pass on his cooking skill to a humanoid robot William and to teach him Chinese cooking. Designed to satisfy his owner, William tries to follow Pu’s every instruction, but his robotic demand for precision and perfection is essentially contradictory to Chinese cooking. At the same time, the protests against AI replacing the human labor are more and more intense. Qiang, Pu’s apprentice is also one of the protestors. Since Qiang disappoints Pu time and time again in cooking, Pu starts to get closer with William, which pushes him to the opposite of human beings. Pu becomes at a loss in this dilemma.
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The Act of Devouring, de Emir Ziyalar
Selecção Ensaios – 2019/11/26 – 17:30
NOS Alma
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A troubled man is forced to repeat a grim task in 1940’s Czechoslovakia. Over time, he starts to fail his task and work on his grotesque secret instead. The fear of his secret being discovered slowly becomes unbearable.
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Sort Sol, de Rico Mahel
Selecção Ensaios – 2019/11/26 – 17:30
NOS Alma
Once upon a time … in the year of 2083: Nate lives in an efficient but dreary future in which people have become nothing more than work machines for Cormick Inc.
Mysterious calls pull Nate out of his comfort zone and start haunting him. As he, bit by bit, is cast out of society, his frightening visions take over and bring him back to a world he has forgotten.
Once upon a time in the year of 2083: Nate lives in an efficient but dreary future when suddenly a wolf appears and rips the fabric.
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Los Viejos Heraldos, de Luis Alejandro Yero
Selecção Ensaios – 2019/11/26 – 17:30
NOS Alma
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Tatá and Esperanza witness the elections of the first Cuban president in more than half a century without the Castro surname. At almost 90 years old, they silently observe the end of one of their many lived cycles. As two lighthouses of a remote era.
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Cantos, Cantedos e Cantarolas: O Canto Polifónico em São Pedro do Sul, de Maria do Rosário Pestana / João Valentim
Selecção Ensaios – 2019/11/25 – 17:30
NOS Alma
No concelho de São Pedro do Sul, grupos formalmente instituídos salvaguardam um repertório polifónico predominantemente modal, a duas ou três vozes, em terceiras ou em terceiras e quintas paralelas.
A memória das performances coletivas que há décadas atrás ecoavam nas montanhas no decurso dos trabalhos agrícolas, justifica no século XXI o ativismo de mulheres, seja na transferência desse saber-fazer às novas gerações ou na luta pelo reconhecimento desse património.
Cantos, cantedos and cantarolas are local designations of musical and poetic practices in two or three voices, in parallel movement, creating intervals of fifths, or of thirds and fifths. They are safeguarded by formally established groups, in the region of São Pedro do Sul, in central Portugal.
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